13. 狗劫 Dog Catastrophe

目录 Catalog:13.1 什么是狗劫? What is a Dog Catastrophe? 13.2 宿命通 Fate Through;13.3 精神病的治疗法则 Principles of Psychiatric Treatment;13.4 王者归来 The King Returns

13.1 什么是狗劫? What is a Dog Catastrophe?

狗劫是太阳石历第三象限的最后一劫。第三象限主要讲述阿兹特兰(即美猴王,雨神特拉洛克)的故事,主宰者是雨神特拉洛克。狗劫义为美猴王意识到了,“我的良心被狗吃了(如图21)!” 他成佛了,成为真正的人了!读者请看图15上有一只狗,在看守天门;那狗是特拉洛克的自画像。随后他帮助妻子翠玉女建立了据说是北美有史以来最大的帝国,所以从公元1325年开始,墨西哥人出现在地球上了。

The Dog Catastrophe is the final Catastrophe of the third quadrant of Sunstone Calendar. The third quadrant primarily tells the story of Aztlan (aka. Beautiful Monkey King, and Tlaloc, the rain god), and is ruled by Tlaloc. Dog Catastrophe signifies that the Monkey King realized, "My conscience has been eaten by dogs (as shown in Figure 21)!" He attained enlightenment and became a true human being! Readers should refer to Figure 15, which shows a dog guarding the sky door mountain; that dog is a self-portrait of Tlaloc. He then helped his wife, Chalchiuhtlicue, establish what is said to be the largest empire in North American history, so Mexicans appeared on Earth starting in 1325 C.E.

插图35是中国三千六百年前的二郎神,图中的狗代表他的觉悟,“我的良心被狗吃了,我不是人!” 他就变成了真人,成为二郎神了。随后二郎神帮妻子尧帝建立了中华共和国(参见14.5.4节)。中国人就在地球上出现了,奉从二郎神为救世主。

Illustration 35 depicts the Chinese Second Wolf God from 3,600 years ago. The dog in the illustration symbolizes his awakening: “My conscience has been devoured by a dog; I am not a human!” He then transformed into a true human being and became Second Wolf God. Subsequently, Second Wolf God helped his wife, Emperor Yao, establish the Republic of China (see Section 14.5.4). Since then, Chinese have appeared on Earth and worshipped Second Wolf God as savior.

图36是阿克坦(Actaeon,又名阿波罗),图中狗代表他的觉悟。传说,他被阿特迷媤(Artemis,又名雅典娜Athena)射伤后,死了,尸体被他自己的狗吃了。这寓言应该是,他觉悟了,“我的良心被狗吃了,我不是人!” 他就变成阿波罗(Apollo)了。随后他帮助妻子雅典娜建立了希腊帝国,希腊人尊崇他们俩和宙斯为始祖(参见14.2节)。

所以这狗劫讲述的是佛的觉悟,下面我们来分条论述。

Figure 36 depicts Actaeon (also known as Apollo), with the dogs in the image symbolizing his awakening. According to legend, after being shot and wounded by Artemis (also known as Athena), he died, and his body was devoured by his own dogs. The moral of this fable is that he realized, “My conscience has been devoured by the dogs; I am not a human!” He then transformed into Apollo. Subsequently, he helped his wife Athena establish the Greek Empire, and the Greeks revered the two of them, along with Zeus, as their progenitors (see Section 14.2).

Therefore, *Dog Catastrophe* tells the story of the Buddha's enlightenment. Let us now examine this point by point.

图40至42是源自不同历史时期的墨西哥文物,都表示上帝造人过程中金童(即亚当)堕入地狱的劫难。故事所使用的理论线索相同,所以可以相互借鉴。

Figures 40 to 42 depict Mexican artifacts from different historical periods, all illustrating the ordeal of Gold Boy (i.e., Adam) falling into hell during God's creation of Man. The stories use the same theoretical threads, so they can draw inspiration from each other.

13.2 宿命通 Fate Through

图40中,被困在地狱里的金童双手托着个生病的孩子,表示他回忆出了约一岁时,青松石王给他做触目,使他患了婴幼儿神经发育失调症。金童明白了几十年来,发生在自己身上的怪事全是因为青松石王在造太阳。金童回忆出了三岁之前的事,想明白了自己前半生的前因后果。这个成就被称作宿命通,是神佛的特有能力之一。

In Figure 40, the Golden Boy, trapped in hell, holds a sick child in his hands, indicating that he recalls being assaulted by the King Turquoise when he was about one year old, causing him to suffer from infantile neurodevelopmental disorder. The Golden Boy understands that the strange affairs that have happened to him over the decades are all because the King Turquoise was creating the sun. The golden boy recalled events from before he was three years old and understood the causes and consequences of his previous life. This achievement is known as Fate Through, one of the unique abilities of gods and Buddhas.

在雕塑40的侧面显示了美猴王(又名金童,特拉洛克)的内心世界。他撒娇地坐在了古代特拉洛克和左翼蜂鸟(已故的青松石王)怀里。那个头顶着无字墓碑的抱着他的人是古代的特拉洛克。

The side of Sculpture 40 reveals the inner world of Beautiful Monkey King (also known as the Golden Boy, Tlaloc). He sits playfully in the arms of the ancient Tlaloc and Hummingbird of the Left (formerly King Turquoise). The figure holding him, with a wordless tombstone on his head, is the ancient Tlaloc.

此三岁之前的记忆具有灵龙(欧洲人称作亚伯)的强大力量,据说可以起死回生。后文图43和44,美猴王从地狱里升到了地面,飞起来了,就是靠着灵龙(Quetzalcoatl)的力量。

These memories from before the age of three possess the powerful energy of Quetzalcoatl (known as Abel in Europe), which is said to be able to bring the dead back to life. (See Figures 43 and 44 below; Beautiful Monkey King ascends from hell to the ground and flies, all thanks to the Quetzalcoatl's power.)

13.3 精神病的治疗法则 Principles of Psychiatric Treatment

图42显示美猴王被一柄人形利剑(代表青松石王)刺中了腹部,快要死了。雕刻的底部刻画着一个被装在火匣子里的狮子头,表示美猴王在地狱里变成特拉洛克了。图42L是左翼蜂鸟,他一边向上抬起利剑,一边呵斥着顶部的凤凰(代表翠玉女):“不要向下踩剑柄!”

图42R代表右翼蜂鸟(即谷伯,燃灯佛),他仿佛在说:“小白猪!投降!向你自己的国王投降不丢脸!你娶翠玉女公主为妻,一切都会好起来的!”

Figure 42 shows the Monkey King being stabbed in the abdomen by a human-shaped sword (representing King Turquoise), and is near death. At the bottom of the carving is a lion's head placed in a firebox, indicating that the Monkey King has become Tlaloc in hell. Figure 42L shows Hummingbird of the Left, raising the sword upwards while scolding the phoenix at the top (representing Chalchiuhtlicue): "Don't step down on the hilt!"

Figure 42R represents Hummingbird of the Right (i.e., Uncle Maize, Lamplighter Buddha), who seems to be saying: "Little Peccary! Surrender! It's not shameful to surrender to your own king! Marry Princess Chalchiuhtlicue, and everything will be alright!"

代表地狱的火匣子的上面是一口棺材。棺材上面画着一个射精的阴茎,这阴茎可以提起棺材。射精的阴茎代表阿兹特兰(又名金童,美猴王,特拉洛克)和翠玉女结婚的事实现量。美猴王生病的原因是和翠玉女的婚姻纠纷。这种心理矛盾已经进入美猴王的无意识(即神识)。神识只接受现量。若美猴王娶了翠玉女,这种心理矛盾就消失了。美猴王的精神病被治愈后,身体上的大部分疾病也会在短期内自愈。

Above the firebox representing hell is a coffin. The coffin is painted with an ejaculating penis that can lift the coffin. The ejaculating penis represents the PRESENT QUANTITY of the marriage between Aztlan (aka. Gold Boy, Beautiful Monkey King, Tlaloc) and Chalchiuhtlicue. Beautiful Monkey King's illness stemmed from his marital conflict with Chalchiuhtlicue. This psychological tension had entered Beautiful Monkey King's unconscious (i.e., God-sense). God-sense only accepts PRESENT QUANTITY (what is directly perceived). If Beautiful Monkey King marries Chalchiuhtlicue, this psychological conflict will disappear. After Beautiful Monkey King's mental illness is cured, most of his physical ailments will also heal themselves in a short period of time.

美猴王想明白了,自己堕入地狱的原因是冒犯了女神(翠玉女),犯了五逆罪(参见12.1.1节)。图42整体像似一部机器,表明美猴王意识到了和女神打架是忤逆,是对心理机制的逆操作。这样他就懂了十戒,违犯十戒都是对心理机制的逆操作。他就懂戒渡(参见15.2节)了,获得了黄金甲。图37的黄金甲,和图38的石锁都代表戒渡。

Beautiful Monkey King realized that the reason he fell into hell was because he had offended the goddess (Chalchiuhtlicue), committing one of the five Anti Crimes (see section 12.1.1). Figure 42, resembling a machine, indicates that Beautiful Monkey King realized that fighting the goddess is an Anti, a reversal of psychological mechanisms. Thus, he understood the Ten Precepts (Commandments); all violating the Ten Commandments are reversals of psychological mechanisms. He then understood the principle of Precept Ark (see section 15.2) and obtained the golden armor. The golden armor in Figure 37 and the stone lock in Figure 38 both represent Precept Ark.

图41中,美猴王想明白了,若继续和翠玉女打架,他就死了,他选择了接受翠玉女为妻子,青松石王为上帝。看图41中部,美猴王吸收了利剑,成为了北方之神(即特拉洛克),胸前佩戴着个小女孩儿(即翠玉女)画像。

In Figure 41, Beautiful Monkey King realized that if he continued fighting with Chalchiuhtlicue, he would die. He chose to accept Chalchiuhtlicue as his wife and King Turquoise as his God. In the middle of Figure 41, Beautiful Monkey King absorbed the sword and became the god of the north (i.e., Tlaloc), wearing an image of a little girl (i.e., Chalchiuhtlicue) on his chest.

图41中棺材里面变成了个太阳的符号。青松石王成为太阳神了。右面的右翼蜂鸟的脚下显示他安息了。中部显示,美猴王成为了北方之神(即特拉洛克),他额头巨大的慧眼(即佛眼)睁开了。

In Figure 41, the coffin contains a symbol of the sun. King Turquoise has become the sun god. The footing of Hummingbird of the Right indicates sleep in peace. The center shows Beautiful Monkey King as the god of the north (i.e., Tlaloc), his enormous gnostic eye (i.e., Buddha's eye) open.

图41左,左翼蜂鸟的足下显示他的眼神仍然充满了迷茫,为什么?美猴王同意娶翠玉女为妻,这只是他新生的开始。翠玉女不会轻易地交出王权,未来尚不确定,但他还是有了些闲心。图41上面,左翼蜂鸟捧着长着凤凰嘴的小女孩儿给卡特莉(十字架上淋了雨的凤凰,即此时的翠玉女)看,在给她讲故事。卡特莉带着婴儿的长命锁在认真地听。

As shown at the footing of Hummingbird of the Left in Figure 41, his eyes are still filled with confusion. Why? Beautiful Monkey King agreed to marry Chalchiuhtlicue, which was just the beginning of his new life. Chalchiuhtlicue would not easily hand over the kingship. The future was still uncertain, but he still had some leisure time. In Figure 41, Hummingbird of the Left (i.e., Huitzilopochtli) held the little girl with a phoenix mouth to show to Tlaltecuhtli (the phoenix on the cross that was drenched in rain, that is, Chalchiuhtlicue at this time) and told her a story. Tlaltecuhtli was listening carefully with the baby's longevity lock.

左翼蜂鸟仿佛在说:“我在你现在的年龄时,找到了你母后寇特鹠鸺(Coatlicue),对她说,‘我计划再造太阳,但我需要一个女神女儿。我们用她做饵来钓特拉洛克。那头黑狮子(即特拉洛克)吃了我们的女儿,他消化不了,又吐不出来,就不得不赐封我为新的太阳神。’ 你母后听了,非常欣赏我的计划,着急地说:我们现在就开始造女神吧!”

Huitzilopochtli seemed to be saying, "When I was your current age, I found your mother, Queen Coatlicue, and said to her, 'I plan to recreate Sun, but I need a goddess daughter. We use her as bait to catch Tlaloc. The black Jaguar (Tlaloc) ate our daughter, and he couldn't digest her, nor could he spit her out, so he had to grant me as the new sun god.' When your mother heard this, she admired my plan very much and said anxiously: Let's start creating a goddess now!"

13.4 王者归来 The King Returns

图43显示墨西哥乘(又名阿兹特兰,特拉洛克,金童,亚当)着灵龙(Quetzalcoatl)飞起来了,准备回国去继承青松石王的王位。

图44显示墨西哥从地狱里飞出来了。左上角的房子表示墨西哥是从地下出来的。他们脚踝上的红绳代表灵龙。灵龙托着他们飞出了地狱。图44中的四个人代表着墨西哥的四个方面。

Figure 43 shows Mexico (also known as Aztlan, Tlaloc, Golden Boy, Adam) flying up on the dragon (Quetzalcoatl), preparing to return home to inherit the throne of King Turquoise.

Figure 44 shows Mexico flying out of Hell. The house in the upper left corner indicates that Mexico emerged from underground. The red ropes around their ankles represent Quetzalcoatl. Quetzalcoatl carried them out of Hell. The four figures in Figure 44 represent four aspects of Mexico.

图44A的头顶显示,把青松石王的遗骨送回家是最末等的任务。

图44B中,墨西哥的左手拿着个太阳,表示他回国的最重要目的是把青松石王是太阳神的消息告诉给墨西哥人,并把它作为太阳神发射或悬挂到墨西哥的上空。他右手握着个小树苗,表示他要把这个新文明幼苗栽种在墨西哥的土地上。那棵小树苗代表什么?就是本次青松石王造人的故事,这样的一个故事就是一个宗教,一种文明。

The top of Figure 44A shows that sending the remains of King Turquoise home was the lowest priority task.

In Figure 44B, Mexico holds a sun in his left hand, indicating that his most important purpose in returning home is to tell the Mexicans that King Turquoise is the Sun God, and to launch or hang him as the Sun God in the sky above Mexico. He holds a sapling in his right hand, indicating that he wants to plant this new civilization seedling in the land of Mexico. What does the sapling represent? It is the story of King Turquoise creating humans. Such a story is a religion and a civilization.

图44C中,墨西哥左手拿着一支装满了黑暗目的的爱神之箭,右手握着个小树苗,表示他要把青松石王是上帝的消息告诉给翠玉女。读者可能会有疑问,七百年前的墨西哥人知道希腊的爱神吗?编者我看到的墨西哥古画,他们完全吸收了古代日耳曼文化,希腊文化,苏美尔文化,和中华文化的精华。

In Figure 44C, Mexico holds an arrow of Cupid filled with dark intent in his left hand and a sapling in his right hand, indicating that he wants to tell Chalchiuhtlicue that King Turquoise is God. Readers may wonder, did Mexicans know the Greek god of love seven hundred years ago? The ancient Mexican paintings editor I have seen has completely absorbed the essence of ancient Germanic culture, Greek culture, Sumerian culture, and Chinese culture.

图44D显示着墨西哥回国的第二个目的,就是把青松石王造人的故事编辑成为《墨西哥法典》,利乐众生千年万年。这个墨西哥穿着小乌龟壳。乌龟和大茶壶是妓院中男佣的别名。他穿着乌龟壳表示他将不计较翠玉女生活中的性丑闻。

Figure 44D shows that Mexico's second purpose of returning home is to compile the story of King Turquoise creating humans into Mexican Codex, which will benefit and please all sentient beings for thousands of years. This Mexico is wearing a small turtle shell. The turtle and the big teapot are aliases for male servants in brothels. He wears a turtle shell to show that he will not care about the sexual scandal in the life of Chalchiuhtlicue.

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